Slasher Filme Neue Beiträge

Der Slasher-Film oder Slasherfilm ist ein Subgenre des Horrorfilms, bei dem eine Gruppe von Teenagern von einem Killer bedroht wird. Das Genre erfuhr vor allem in den späten er und frühen er Jahren seine Blütezeit. Der Slasher-Film oder Slasherfilm (engl. slash, ‚aufschlitzen') ist ein Subgenre des Horrorfilms, bei dem eine Gruppe von Teenagern von einem Killer bedroht. Die Liste von Slasher-Filmen zählt chronologisch Filme auf, die dem Slasher-​Genre zugeordnet werden. Dieser Artikel oder Abschnitt bedarf einer. Entdecke die besten Slasherfilme: Tucker & Dale vs Evil, Tanz der Teufel, Halloween - Die Nacht des Grauens, Nightmare - Mörderische Träume, Scream. Du magst die Slasher Filme, wo der Killer das Schicksal in die eigene Hand nimmt? Verstrickt inszeniert wird erst spät klar, wer der Mörder ist. Beim Slasher Film.

slasher filme

Remake des bekannten Slasher-Films von von Marcus Nispel mit Jared Padalecki, Danielle Panabaker, Amanda Righetti. Genre: Horrorfilm. Der Slasher-Film oder Slasherfilm ist ein Subgenre des Horrorfilms, bei dem eine Gruppe von Teenagern von einem Killer bedroht wird. Das Genre erfuhr vor allem in den späten er und frühen er Jahren seine Blütezeit. Du magst die Slasher Filme, wo der Killer das Schicksal in die eigene Hand nimmt? Verstrickt inszeniert wird erst spät klar, wer der Mörder ist. Beim Slasher Film.

Slasher Filme - Navigationsmenü

Doch schön blutiger Splatter dem aber die starke eigene Story wie im ersten Teil fehlt. Merry Crushed Monday []. Gesamt: 7. Martha, die verwöhnte Tochter eines reichen Amerikaners, soll ein Jahr in einem Schweizer Internat verbringen, das in einer abgelegenen Berglandschaft liegt. Gewalt: 4. The Merchant []. Nightmare in a Damaged Brain [23]. Mosquito der Schänder [16]. DeadTime []. My Go here Valentine 3D. Bald jedoch bekommen sie es mächtig mit der Angst click here tun. Silent Night — Deadly Night [30].

The Hills Have Eyes was another huge financial success, relaunching Craven's career after it had been damaged by controversy surrounding his previous film, The Last House on the Left Following holiday-themed exploitation films Home for the Holidays , All Through the House and Silent Night, Bloody Night , Black Christmas uses horror as a board to debate social topics of its time, including feminism , abortion , and alcoholism.

Utilizing the "killer calling from inside the house " gimmick , Black Christmas is visually and thematically a precursor to John Carpenter 's Halloween , as young women are terrorized in a previously safe environment during an iconic holiday.

Like Halloween , Clark's film opens with a lengthy point-of-view , but it differs in the treatment of the killer's identity.

Despite its modest initial box office run, the film has garnered critical reappraisal, with film historians noting its importance in the horror film genre and some even citing it as the original slasher film.

Jumpstarted by the massive success of John Carpenter 's Halloween , the era commonly cited as the Golden Age of slasher films is —, with some scholars citing over similar films released over the six-year period.

Golden Age slasher films exploited dangers lurking in American institutions such as high schools, colleges, summer camps, and hospitals.

To minimize costs, locations were reduced and time took place over a brief period. Sam Loomis , an homage to John Gavin 's character in Psycho.

Carpenter denies writing sexually active teens to be victims in favor of a virginal " final girl " survivor, though subsequent filmmakers copied what appeared to be a "sex-equals-death" mantra.

When shown an early cut of Halloween without a musical score, all major American studios declined to distribute it, one executive even remarking that it was not scary.

Carpenter added music himself, and the film was distributed locally in four Kansas City theaters through Akkad's Compass International Pictures in October Word-of-mouth made the movie a sleeper hit that was selected to screen at the November Chicago Film Festival, where the country's major critics acclaimed it.

Though the telekinesis slasher Tourist Trap was initially unsuccessful, it has undergone a reappraisal by fans.

Its success has largely been credited to its opening scene, in which a babysitter Carol Kane is taunted by a caller who repeatedly asks, "Have you checked the children?

The election of Ronald Reagan as the 40th President of the United States drew in a new age of conservatism that ushered concern of rising violence on film.

Sean S. Siskel, in his Chicago Tribune review, revealed the identity and fate of the film's killer in an attempt to hurt its box office, and provided the address of the chairman of Paramount Pictures for viewers to complain.

The criticisms that began with Friday the 13th would lead to the genre's eventual decline in subsequent years.

Cruising drew protests from gay rights groups, and though it pre-dates the AIDS crisis , the film's portrayal of the gay community fueled subsequent backlash once the virus became an epidemic.

Maniac was maligned by critics. Vincent Canby of The New York Times said that watching the film was like "watching someone else throw up.

Joe D'Amato 's gruesome Italian horror film Antropophagus and the Australian slasher Nightmares showed that the genre was spreading internationally.

Slasher films reached a saturation point in , as heavily promoted movies like My Bloody Valentine and The Burning were box office failures.

The film became the subject of intense scrutiny in the wake of John Lennon's murder , and was released heavily edited; lacking the draw of gore, My Bloody Valentine barely sold 2 million tickets in North America, much less than the 15 million sold by Friday the 13th the year beforehand.

Profits of Halloween and Friday the 13th drew studio interest, to varying success. Warner Bros. Friday the 13th Part 2 sold 7.

Both sequels sold around half of their original film's tickets, though they were still very popular Halloween II was the second highest-grossing horror film of the year behind An American Werewolf in London.

Straight-to-video productions cut costs to maximize profit. The independent horror film Madman opened in New York City's top 10, according to Variety , but soon fell out of theaters for a much healthier life on home video.

Girls Nite Out had a very limited release in but was re-released in in more theaters until finally finding a home on VHS. Films such as Hospital Massacre and Night Warning enjoyed strong home rentals from video stores , though Dark Sanity , The Forest , Unhinged , Trick or Treats , and Island of Blood fell into obscurity with little theatrical releases and only sub-par video transfers.

Alone in the Dark was New Line Cinema 's first feature film, released to little revenue and initially dismissed by critics, though the film has gained critical reappraisal.

Director Amy Holden Jones and writer Rita Mae Brown gender-swapped to showcase exploitative violence against men in The Slumber Party Massacre , [83] while Visiting Hours pitted liberal feminism against macho right-wing bigotry with exploitative results.

Friday the 13th Part III , the first slasher trilogy, was an enormous success, selling 12 million tickets and dethroning E.

Traditional slasher films saw less frequent output. The House on Sorority Row followed the same general plot as Prom Night with guilty teens stalked and punished for a terrible secret.

The film also reunited original cast members Anthony Perkins and Vera Miles. Sleepaway Camp featured homosexual scenes, which were taboo at the time.

In Canada, whodunit Curtains had a brief theatrical life before finding new life on VHS, while criticism toward American Nightmare ' s portrayal of prostitutes , drug addicts , and pornography addicts hurt its video rentals.

The poster for Mortuary features a hand is bursting from the grave, though the undead have nothing to do with the film.

Distributors were aware of fading box office profits, and they were attempting to hoodwink audiences into thinking long-shelved releases like Mortuary were different.

The public had largely lost interest in theatrical released slashers, drawing a close to the Golden Age. Many slasher films with brief theatrical runs found varying degrees of success on home video, such as Splatter University , Satan's Blade , Blood Theatre , Rocktober Blood and Fatal Games.

Movies like The Prey and Evil Judgement were filmed years prior and finally were given small theatrical releases. Friday the 13th: The Final Chapter brought the saga of Jason Voorhees to a close, with his demise the main marketing tool.

It worked, with The Final Chapter selling million tickets in North America, hinting the series would continue even if Jason's demise marked a shift in the genre.

Soon widespread outrage led to the film's removal, with only , tickets sold. As interest in the Golden Age slasher waned, Wes Craven 's A Nightmare on Elm Street revitalized the genre by mixing fantasy and the supernatural in a cost-effective way.

Craven had toyed with slasher films before in Deadly Blessing , though he was frustrated that the genre he had helped create with The Last House on the Left and The Hills Have Eyes had not benefited him financially.

Developing A Nightmare on Elm Street since , Craven recognized time running out due to declining revenues from theatrical slasher film releases.

Despite A Nightmare on Elm Street 's success, fatigue hit the slasher genre, and its popularity had declined substantially.

The home video revolution, fueled by the popularity of VHS , provided a new outlet for low-budget filmmaking. Without major studio backing for theatrical release, slasher films became second only to pornography in the home video market.

The drop in budgets to accommodate a more economic approach was usually met with a decline in quality. Mirroring the punk rock movement, novice filmmakers proved anyone could make a movie on home video, resulting in shot-on-video slashers Blood Cult , The Ripper , Spine , Truth or Dare?

Distinguished by overtly homoerotic undertones, Freddy's Revenge became the highest grossing horror film of and inspired "dream" slashes Dreamaniac , Bad Dreams , Deadly Dreams , and Dream Demon Paramount Pictures released the parody April Fool's Day with hopes to start a sister series to its Friday the 13th property, though the film's modest box office run never led to a series.

The home video market made stars out of character actors such as Terry O'Quinn and Bruce Campbell , whose respective independent horror-thrillers The Stepfather and Maniac Cop found more support on home video than in theaters.

The personality-driven appeal of Freddy Krueger was not lost on filmmakers, as characters like Chucky and Candyman were given ample dialogue and placed in urban settings that had largely been ignored by the Golden Age.

Chucky's Child's Play and its sequel sold over Both series fell out rather quickly, when Child's Play 3 selling only 3.

Internationally, the slasher film remained profitable. Due to the declining ticket sales, rights to the Friday the 13th and Halloween series were sold to New Line Cinema and Miramax Films , respectively.

Now owning both the Jason Voorhees and Freddy Krueger characters, New Line would look into a series-crossover event film.

Halloween: The Curse of Michael Myers was released under Miramax's Dimension Films banner, to negative fan reaction, and a weak box office.

Wes Craven 's New Nightmare utilized characters from his original Elm Street film in self-referential and ironic ways, as the actors played versions of their true personas targeted by a Freddy Krueger-inspired demon.

New Nightmare sold 2. The slasher film's surprising resurrection came in the form of Scream , a box office smash and redefined the genre's rules.

Directed by Craven and written by Kevin Williamson , Scream juggled postmodern humor with visceral horror. The film played on nostalgia for the Golden Age, but appealed to a younger audience with contemporary young actors and popular music.

The marketing for Scream distanced itself from the slasher subgenre as it passed itself as a "new thriller" that showcased the celebrity of its stars, promoting the appearances of then-popular stars Drew Barrymore , Courteney Cox and Neve Campbell over its violence.

Released less than a year after Scream to "critic proof" success, the film sold nearly 16 million tickets at the North American box office.

Two months later Dimension Films released Scream 2 to the highest grossing opening weekend of any R-rated film at the time; the sequel sold 22 million tickets and was a critical hit.

Australia's postmodern Cut cast American actress Molly Ringwald as its heroine. Bollywood produced the first musical -slasher hybrid with Kucch To Hai , as well as the more straightforward Dhund: The Fog Scream 2 marked a high-point for interest in the s slasher film.

Urban Legend was a modest hit, selling 8 million tickets, though slasher sales were already starting to drop. Low-budget slasher films The Clown at Midnight and Cherry Falls had trouble competing with big-budget horror films that could afford then-bankable actors.

Scream 3 , the first entry in the Scream series not written by Kevin Williamson, was another huge success with Urban Legends: Final Cut sold a meager 4 million tickets, less than half of what its predecessor had sold just two years earlier.

The genre continued to fall apart with box office bombs Valentine and Jason X , as well as the critically maligned Halloween: Resurrection , a sequel that sold less than half its predecessor's tickets.

New Line Cinema 's highly anticipated Freddy vs. Jason , in development since , took note from Scream , and mixed nostalgia with recognizable actors.

It sold a massive 14 million tickets at the domestic box office, acting as a symbolic love-letter to slasher films of the Golden Age.

Films like Final Destination and Jeepers Creepers kept slasher film values in mainstream movies, but they deviated from the standard formula set forth by movies such as Halloween , A Nightmare on Elm Street and Scream The filmmakers behind Make a Wish and HellBent diversified their stories to appeal to their gay and lesbian audiences.

With 2. Filmmakers around the world tested the levels of on-screen violence an audience would accept. Musician-filmmaker Rob Zombie strove to bring the horror genre away from pop-culture and back to its exploitative roots in House of Corpses and The Devil's Rejects Wes Craven , one of the biggest names in horror for over three decades, directed box office disappointments My Soul to Take and Scream 4 , which sold only 1.

Evil and The Final Girls add thematic and emotional subtexts i. These small but noticeable changes would come to affect the genre in the coming decade.

As s Scream -inspired slasher films dwindled in popularity, the remake of The Texas Chainsaw Massacre became a sleeper hit by playing on public's familiarity of the original but promising updated thrills and suspense.

The Texas Chainsaw Massacre remake sold over Remakes of The Fog , When a Stranger Calls and Prom Night were watered down, and released with PG ratings to pull in the largest teenage audience possible, though only Prom Night sold more tickets than its original counterpart.

This disturbing shocker melds slasher violence and giallo artistry in a tale of a masked, raincoat-clad child murderer who may or may not be a child herself.

Alice is blamed for the death of her little sister played by a very young Brooke Shields , of whom she was insanely jealous, and as she seeks to clear her name, the body count rises, and even the audience isn't sure if she's innocent or not.

A stunning, atmospheric whodunit. Unlike most slasher villains, Chucky is verbose and fond of wisecracks — like Freddy in "A Nightmare on Elm Street" — although the original "Child's Play" is less comedic than later sequels again, like " Nightmare".

Despite an amazingly stiff debut from Johnny Depp and really, the entire cast , this groundbreaking slasher classic delivers an innovative concept, an iconic bad guy Freddy Krueger and dreamy special effects that create all-time great images like Tina being dragged across the ceiling of the bedroom, Freddy's glove attacking Nancy in the bathtub, Glen Depp getting sucked into his own bed and the infamous "tongue phone.

This is an unusual entry: a slasher with multiple, unmasked killers and respected veteran actors like Donald Pleasance, Martin Landau, and Jack Palance.

These three add a level of class to a film about four mental patients — a child molester, a deranged war vet, a psycho preacher and someone known only as "The Bleeder" — who escape their asylum and attack the family of a new psychiatrist, whom they mistakenly believe killed their old doctor.

They are crazy, after all. Scary, fun, well-written and overlooked. Before the onslaught of ghost stories, Japanese horror was often as graphic and low-brow as American.

Exhibit A: "Evil Dead Trap. The plot begins a bit like David Cronenberg's "Videodrome": The hostess of a late-night submit-your-own-video TV show receives a mysterious submission that appears to be a snuff film.

She investigates its origin with members of her crew, tracking it back to an abandoned warehouse. There she runs headlong into a trap some might call it evil set by a masked killer clad in military gear.

He offs them one by one in wonderfully elaborate set pieces foreshadowing "Saw". The ending must be seen to be believed The killer in question is Death itself, and it's a tricky, heartless bugger who seeks to claim the lives of the high school French class members who got off a plane before it crashed.

Since they had been fated to die on the plane, they broke Death's plan, and now it's got unfinished business, picking off the kids one by one in extravagant, red herring-filled "accidents.

The pinnacle of the "Friday the 13th" series is wonderfully cartoonish from the get-go, with an opening scene in which Jason is revived by a bolt of lightning that segues into a title sequence that parodies James Bond.

Although the first seven films in the series are remarkably solid, if you have to see only one "Friday the 13th," make it this one.

Even to this day, its tale of a maniac terrorizing a sorority house can make your skin crawl — largely because of the über-creepy phone voice done in part by director Bob Clark himself that makes you want to shower after hearing it.

Perhaps the ultimate slasher, "Scream" smartly built upon the tradition that its predecessors had established, taking bits from here and there and fusing them with a clever plot, a snappy, self-conscious script that pokes fun at the genre, a masterful director Wes Craven and a modern flair.

It single-handedly reinvigorated slashers, which had run their course by the end of the '80s, making serial killing once again marketable to teenagers.

The film that started it all. Although there were technically a few other slashers before "Halloween," none came close to having the lasting impact of John Carpenter's classic.

Exhibit A: "Evil Dead Trap. The plot begins a bit like David Cronenberg's "Videodrome": The hostess of a late-night submit-your-own-video TV show receives a mysterious submission that appears to be a snuff film.

She investigates its origin with members of her crew, tracking it back to an abandoned warehouse. There she runs headlong into a trap some might call it evil set by a masked killer clad in military gear.

He offs them one by one in wonderfully elaborate set pieces foreshadowing "Saw". The ending must be seen to be believed The killer in question is Death itself, and it's a tricky, heartless bugger who seeks to claim the lives of the high school French class members who got off a plane before it crashed.

Since they had been fated to die on the plane, they broke Death's plan, and now it's got unfinished business, picking off the kids one by one in extravagant, red herring-filled "accidents.

The pinnacle of the "Friday the 13th" series is wonderfully cartoonish from the get-go, with an opening scene in which Jason is revived by a bolt of lightning that segues into a title sequence that parodies James Bond.

Although the first seven films in the series are remarkably solid, if you have to see only one "Friday the 13th," make it this one.

Even to this day, its tale of a maniac terrorizing a sorority house can make your skin crawl — largely because of the über-creepy phone voice done in part by director Bob Clark himself that makes you want to shower after hearing it.

Perhaps the ultimate slasher, "Scream" smartly built upon the tradition that its predecessors had established, taking bits from here and there and fusing them with a clever plot, a snappy, self-conscious script that pokes fun at the genre, a masterful director Wes Craven and a modern flair.

It single-handedly reinvigorated slashers, which had run their course by the end of the '80s, making serial killing once again marketable to teenagers.

The film that started it all. Although there were technically a few other slashers before "Halloween," none came close to having the lasting impact of John Carpenter's classic.

Thanks to "Halloween," there are now genre standards like virginal heroines, masked, unstoppable killers and open-ended conclusions.

Directed by Bob Clark, the film featured point-of-view shots from the killer's perspective and threatening phone calls made from inside the victim's house, which would be reused by later filmmakers for decades to come.

During the height of the genre's popularity, despite a strict formula developing within the genre, audience interest was maintained by developing new, increasingly "novel" ways for victims to be killed as the 'Friday the 13th" series is best known for , as well as increasingly graphic and realistic special effects Some of the most effective were The Burning , The Prowler , and Maniac.

Some series, such as A Nightmare on Elm Street and later Child's Play , added supernatural twists to the slasher formula, as well as comedic elements as the respective series progressed.

Earlier films, such as Psycho and The Texas Chainsaw Massacre , were also revived and given a series of increasingly gory sequels in attempts to compete with other franchises.

Long-running franchises in the genre tended to focus more and more on the returning villain than on surviving victims, effectively transforming characters once viewed as frightening monsters into anti-heroes who would be cheered on by audiences.

Nevertheless, by the end of the s audiences were tiring of "unstoppable" masked killers and predictable plots.

The profitability of the slasher genre began to dwindle, and controversy over the subject matter would eventually persuade some studios to stop producing and distributing slasher films.

Sequels to the most popular slasher series, as well as new series such as Leprechaun , would continue to be released in theaters or direct-to-video throughout the early to mids.

However, few gained the success of the genre's earlier productions, and even entries in the established Halloween , Friday the 13th and Nightmare on Elm Street, sagas became less frequent.

The slasher genre resurfaced into the mainstream in the mid s, after being successfully deconstructed in Wes Craven's Scream The film was both a critical and commercial success, which attracted a new generation to the genre.

Two sequels followed, and the series was even parodied in Keenen Ivory Wayans' Scary Movie , which began its own series, parodying the entire horror-film genre.

Scream kicked off a new slasher cycle that still followed the basic conventions of the s films, but managed to draw in a more demographically varied audience with improved production values, reduced levels of on-screen gore, increased self-referential humor, more character development, and better-known actors and actresses often from popular television shows.

In , the Halloween series was revived, playing off the success of the Scream franchise. The new film, Halloween: H20 , was conceived as a direct sequel to 's Halloween II , and would lead to one further sequel, Halloween: Resurrection.

Shortly after, other "classic" slasher faces would also be revived: A nearly scene-for-scene remake of Psycho was released a few months later, in December Chucky of the Child's Play series also returned to the screen, first in Bride of Chucky and later with Seed of Chucky.

Another revival attempt came in when a remake of The Texas Chainsaw Massacre was released. While figures from the "golden age" of the slasher genre continue to be revived, new franchises have also appeared.

Rob Zombie's House of Corpses and The Devil's Rejects introduced audiences to the murderous Firefly family, both films taking obvious inspiration from earlier works such as The Texas Chainsaw Massacre.

In , the first film in the Saw series was released into theaters, featuring much of the gore and sadism considered a staple of the s slasher genre, but with a twist: the victims are now tricked into killing or harming themselves or others Distinguished by overtly homoerotic undertones, Freddy's Revenge became the highest grossing horror film of and inspired "dream" slashes Dreamaniac , Bad Dreams , Deadly Dreams , and Dream Demon Paramount Pictures released the parody April Fool's Day with hopes to start a sister series to its Friday the 13th property, though the film's modest box office run never led to a series.

The home video market made stars out of character actors such as Terry O'Quinn and Bruce Campbell , whose respective independent horror-thrillers The Stepfather and Maniac Cop found more support on home video than in theaters.

The personality-driven appeal of Freddy Krueger was not lost on filmmakers, as characters like Chucky and Candyman were given ample dialogue and placed in urban settings that had largely been ignored by the Golden Age.

Chucky's Child's Play and its sequel sold over Both series fell out rather quickly, when Child's Play 3 selling only 3.

Internationally, the slasher film remained profitable. Due to the declining ticket sales, rights to the Friday the 13th and Halloween series were sold to New Line Cinema and Miramax Films , respectively.

Now owning both the Jason Voorhees and Freddy Krueger characters, New Line would look into a series-crossover event film. Halloween: The Curse of Michael Myers was released under Miramax's Dimension Films banner, to negative fan reaction, and a weak box office.

Wes Craven 's New Nightmare utilized characters from his original Elm Street film in self-referential and ironic ways, as the actors played versions of their true personas targeted by a Freddy Krueger-inspired demon.

New Nightmare sold 2. The slasher film's surprising resurrection came in the form of Scream , a box office smash and redefined the genre's rules.

Directed by Craven and written by Kevin Williamson , Scream juggled postmodern humor with visceral horror.

The film played on nostalgia for the Golden Age, but appealed to a younger audience with contemporary young actors and popular music.

The marketing for Scream distanced itself from the slasher subgenre as it passed itself as a "new thriller" that showcased the celebrity of its stars, promoting the appearances of then-popular stars Drew Barrymore , Courteney Cox and Neve Campbell over its violence.

Released less than a year after Scream to "critic proof" success, the film sold nearly 16 million tickets at the North American box office.

Two months later Dimension Films released Scream 2 to the highest grossing opening weekend of any R-rated film at the time; the sequel sold 22 million tickets and was a critical hit.

Australia's postmodern Cut cast American actress Molly Ringwald as its heroine. Bollywood produced the first musical -slasher hybrid with Kucch To Hai , as well as the more straightforward Dhund: The Fog Scream 2 marked a high-point for interest in the s slasher film.

Urban Legend was a modest hit, selling 8 million tickets, though slasher sales were already starting to drop.

Low-budget slasher films The Clown at Midnight and Cherry Falls had trouble competing with big-budget horror films that could afford then-bankable actors.

Scream 3 , the first entry in the Scream series not written by Kevin Williamson, was another huge success with Urban Legends: Final Cut sold a meager 4 million tickets, less than half of what its predecessor had sold just two years earlier.

The genre continued to fall apart with box office bombs Valentine and Jason X , as well as the critically maligned Halloween: Resurrection , a sequel that sold less than half its predecessor's tickets.

New Line Cinema 's highly anticipated Freddy vs. Jason , in development since , took note from Scream , and mixed nostalgia with recognizable actors.

It sold a massive 14 million tickets at the domestic box office, acting as a symbolic love-letter to slasher films of the Golden Age.

Films like Final Destination and Jeepers Creepers kept slasher film values in mainstream movies, but they deviated from the standard formula set forth by movies such as Halloween , A Nightmare on Elm Street and Scream The filmmakers behind Make a Wish and HellBent diversified their stories to appeal to their gay and lesbian audiences.

With 2. Filmmakers around the world tested the levels of on-screen violence an audience would accept. Musician-filmmaker Rob Zombie strove to bring the horror genre away from pop-culture and back to its exploitative roots in House of Corpses and The Devil's Rejects Wes Craven , one of the biggest names in horror for over three decades, directed box office disappointments My Soul to Take and Scream 4 , which sold only 1.

Evil and The Final Girls add thematic and emotional subtexts i. These small but noticeable changes would come to affect the genre in the coming decade.

As s Scream -inspired slasher films dwindled in popularity, the remake of The Texas Chainsaw Massacre became a sleeper hit by playing on public's familiarity of the original but promising updated thrills and suspense.

The Texas Chainsaw Massacre remake sold over Remakes of The Fog , When a Stranger Calls and Prom Night were watered down, and released with PG ratings to pull in the largest teenage audience possible, though only Prom Night sold more tickets than its original counterpart.

Rob Zombie 's Halloween took the simplicity of the original film but added an extreme vision that, according to critics, replaced everything that made the first film a success.

Despite these criticisms, Zombie's Halloween sold nearly 8. Of those, Friday the 13th was most successful selling 8.

The following year A Nightmare on Elm Street , like the Friday the 13th remake, had a large opening weekend but quickly fell off the box office charts after.

Curse of Chucky , a sequel with elements of a reboot of the Child's Play series and the first entry not released in theaters, was well-received and given a sequel of its own in The reboot Texas Chainsaw 3D acts as a sequel to the original film , but lackluster box office profits led to its prequel Leatherface to a direct-to-download release Leatherface was filmed in but shelved for two years.

A decline in theatrical profits encouraged film producers to creatively translate the horror film genre to a television audience.

The series will air on the Sci-Fi network. It Follows was a critical success, mixing slasher film style with demonic fantasy and metaphorical subtext.

The Guest and Don't Breathe twisted conventional tropes into unexpected takes on the horror genre. Blumhouse released meta - sequels The Town That Dreaded Sundown and Halloween , which retconned their predecessors to begin a new continuity.

Released 40 years after the original, and reuniting star Jamie Lee Curtis with producer John Carpenter , the film opened to record-breaking numbers: The largest debut for Blumhouse, the largest debut for a slasher film, the largest debut of a female-led horror film and the largest debut for a film starring a woman over years-old.

A fifth film in the popular slasher series Scream is in development and will begin filming in fall From Wikipedia, the free encyclopedia.

This article includes a list of references , but its sources remain unclear because it has insufficient inline citations.

Please help to improve this article by introducing more precise citations. January Learn how and when to remove this template message.

Film subgenre that involves a killer murdering people using blades. For the several unrelated films named Slasher , see Slasher disambiguation.

See also: Splatter film , Krimi , and Giallo. Main article: Exploitation film. Clayton, Wickham, Basingstoke: Palgrave Macmillan.

Film International 12 1 : 76— Retrieved

Remake des bekannten Slasher-Films von von Marcus Nispel mit Jared Padalecki, Danielle Panabaker, Amanda Righetti. Genre: Horrorfilm. So die einschlägigen Horror-Film-Regeln. Diese treffen besonders in Slasher-​Filmen gerne den Nagel auf den Kopf. Denn in Slashern findet. Warscheinlich, weil in diesem Subgenre des Horrorfilms auch meist Teens die Opfer der Killer sind. Typisch für Slasherfilme sind Stich-, Schlag- oder Hieb-​Waffen. Du suchst gute Slasherfilme? Schau in unserer Top 10 Liste nach und finde die besten Slasher Filme. Hier gibt es unsere Empfehlungsliste mit Filmbewertung. Denn er wisse, was die vier im letzten Sommer getan hätten…. Doch im Wald ist noch jemand…. Kill Theory Read article — In 3 Stunden seid ihr tot. Splatter: 7. Backwood Slasher []. Denk bitte daran, dass wir alle Kommentare vor der Freischaltung überprüfen und beleidigende oder unangebrachte Kommentare löschen. Gruselig Du sortierst nach: Beste. Hauptseite Band Г¤rzte Zufälliger Artikel. Roadside []. slasher filme Nun, 15 Jahre Nightmare II — Die Rache. Aufsteigend Absteigend. Wer benz baracken dein Slasher Favorit? Millenium []. West Memphis Three []. Traurig 2. Kanada

Slasher Filme Video

Friday the 13th, Part VIII - Manhattan Halloweenthough not the first film of its kind, was the first to introduce the concept of the slasher as an indestructible evil force and is often considered the film responsible for the check this out of the slasher trend, popularizing many of what would become key elements in the genre. Gastaldi, Ernesto, Bloody Disgusting. Consultado el 18 de octubre de In a slasher film, the killer almost always uses unconventional weapons, such as blades, chainsaws, cleavers, and blunt objects; rarely, if ever, does the killer use guns. Fairleigh Learn more here University Press. Proyectos The sweet ballroom Datos: Q

0 Gedanken zu “Slasher filme

Hinterlasse eine Antwort

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind markiert *